Beethoven Sonata in G Major Op. 49, No. 2
Exposition
mm.
1-8 1st Theme in Tonic with paralel period. Second four measure
phrase in higer octave and connected to measure mm. 8-12 four measure main
theme phrase and modulated to D major.
Antecedent Consequent
Basic Idea Contrasting Idea Basic
Idea Contrasting Idea
________________________________________________________
1 2 3 4 5 6 7 8
IAC
IAC
mm. 8-12 is
main theme phrase that modulation to D major
mm.
13-14 Codetta
mm.
15-20 Transition in Dmajor
mm.
21-28 Theme 2 in Dominant (D major) with contrasting period and connected
to repetation of theme 2 mm. 29-36.
Antecedent Continuation
Basic Idea Contrasting Idea
________________________________________________________
21 24
28
HC PAC
mm.
29-36 Repetation of theme 2
Antecedent Continuation
Basic
Idea Contrasting Idea
________________________________________________________
29
33 36
HC PAC
mm.
37-52 Coda
Development
mm.
53-56 Development phrase form exposition theme 1 and theme 2 in A minor.
mm.
57-64 Development in E minor with contrasting period.
Antecedent Continuation
Basic
Idea Contrasting Idea
________________________________________________________
57
60
64
HC IAC
mm.
65-66 Codetta to G major
Recapitulation
mm.
67-74 Theme 1 in G major tonic.
Antecedent Consequent
Basic Idea Contrasting Idea Basic Idea Contrasting Idea
________________________________________________________
67
70
74
HC IAC
mm.75-87 Developed
transition from exposition do D major then G major tonic.
mm.
88-95 Theme 2 from exposition in Gmajor in contrasting period and its
connected repetation mm.96-103.
Antecedent Continuation
Basic
Idea Contrasting Idea
________________________________________________________
88 91
95
HC HC
mm.
96-103 Theme repeats and ends with PAC
Antecedent Continuation
Basic
Idea Contrasting Idea
________________________________________________________
96 99
103
HC PAC
mm103-122
Coda includes transition ideas.
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