Beethoven Sonata in G Major Op. 14, No. 2
1.Allegro
(Sonata)
Exposition
mm.
1-8 1st Theme in Tonic with contrasting period. Antedecent, 2 measures of basic idea + 2 measures of
contrasting idea [b.i. + c.i.] and ends with a weak cadence. Weak cadence
generates the need for a more definite ending like mm. 8th (PAC).
Antecedent Continuation
Basic Idea Contrasting Idea
________________________________________________________
1 2 3 4 5 6 7 8
HC
PAC
mm.
9-25 Transition in Dmajor.
mm.
26-33 Theme 2 in Dominant (D major) with parallel period.
Antecedent Consequent
Basic Idea Contrasting Idea Basic Idea Contrasting Idea
________________________________________________________
26 29
33
HC PAC
mm.
33-40 4 Bar ended in dominant .Next 4 bar an octav higher and ended with
Plagal cadence.
mm.
41-47 4 Bar Prepares ending in tonic mm. 45. Last 2 bar is repeated.
mm.
47-63 Coda with rhytmic imitations.
Development
mm.
64-73 Development 4 bar phrase form exposition theme 1 in G minor. Then 4
bar development with 2 bar codetta.
mm.
74-81 Theme 2 form exposition in Bb minor parallel period. mm.80 modulated
to Ab major(V).
Antecedent Consequent
Basic Idea Contrasting Idea Basic Idea Contrasting Idea
________________________________________________________
(73)74 77
81
HC IAC
mm.
81-88 A Development that theme 1 melody in
bass. Modulated to G minor in mm. 85.
mm.
89-98 Developments modulated to F minor for preparation of Eb major with
stopped end.
mm.
99-106 Development of theme 1 in Eb major.
mm.
107-124 Development that prapares modulating to G major.
Recapitulation
mm.
125-132 Same with Theme 1 in G major tonic form exposition.
Antecedent Continuation
Basic Idea Contrasting Idea
________________________________________________________
125 129
132
HC
PAC
mm.133-152 Transition.
mm.
153-160 Theme 2 from exposition in G major in parallel period.
Antecedent Consequent
Basic Idea Contrasting Idea Basic Idea Contrasting Idea
________________________________________________________
153
156
33
HC IAC
mm.
161-200 Coda starts with theme 2 ending preperation ideas and theme 1 ideas.
2. Andante
(Theme
And Variations)
mm.
1-8 Theme 1 parallel period starts in C.
In mm. 6 modulated to G and end with G.
Antecedent Consequent
Basic Idea Contrasting Idea Basic Idea Contrasting Idea
________________________________________________________
1 4 8
HC PAC(inG)
mm.
9-16 Theme 2 Contrasting period in C.
Antecedent Continuation
Basic Idea Contrasting Idea
________________________________________________________
9
12 16
HC
PAC
mm.
16-20 4 bar codetta phrase.
mm.
21-40 Variation 1. Theme is syncoped. Counteropint exist.
mm.
41-60 Variation 2. Chords syncoped.
mm.
61-64 Closing of variation 2.
mm.
65-84 Variation in sixteenth notes.
mm.
85-90 Coda.
3. Scherzo
(Rondo)
mm.
1-22 Main Theme in Gmajor.
mm.
1-8 First refrain in tonic paralel sentence.
Antecedent Consequent
Basic Idea Contrasting Idea Basic Idea Contrasting Idea
________________________________________________________
1 4 8
HC PAC
mm.
9-16 Second refrain in dominant contrasting sentence.
Antecedent Continuation
Basic Idea Contrasting Idea
________________________________________________________
9
12 16
HC
IAC
mm.
17-22 Third refrain in contrasting sentence.
Antecedent Continuation
Basic Idea Contrasting Idea
________________________________________________________
17
12 22
HC
PAC
mm. 23-38
Episode 1. Three 4 bar phrase starting on dominant of e. 4th same
phrase starting on a minor dominant.
mm.
39-41 Codetta.
mm.
43-64 Main theme.
mm.
65-138 Episode 2. Starts in C major dominant.
mm.
65-72 Ideas from B section of main
theme.
mm. 73-124 is (ABA').
mm. 73-88 is A in parallel sentence. First 8 measure starts with C major then repeated.
mm. 73-88 is A in parallel sentence. First 8 measure starts with C major then repeated.
mm. 89-104 is B in parallel sentence. First
8 measure starts with G major. Repeatation' s first four measure starts as the
melody in bass part and in minor.
mm. 105-108 Codetta.
mm.109-124 idea of A. Harmonic progression and register difference is on trepetation of A.
mm.109-124 idea of A. Harmonic progression and register difference is on trepetation of A.
mm. 125-138 Main theme in C major.
mm.
139-160 Main theme (Original)
mm.
161-188 Transition.
mm.
189-212 Episode 3 or coda in G maj.
mm.
189-196 The idea which is bass melody taken from B of main theme.
mm.
197-204 Motivic development on bass.
mm.
204-213 More motivic development.
mm.
213-236 Same as 189-196 but melody in right hand and in tonic.
mm.
237-354 Coda.
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