8 Aralık 2012 Cumartesi

Bartok Mikrokosmos No. 65


Bartok Mikrokosmos No. 65

            Mm. 1-4 Introduction. Starts with D-A and E-B. Every 5th chord moving 2 Semitones in a intention that wants to complete 5th cycles via starts from D and expand to comprisingly whole the 5th cycle in clockwise. Contour is up and down.
            Mm. 5-9 First Idea. Melody shows up against bass part at measure 5 and G occured in anticlockwise side in weak time. D dorian agreed with the F in measure 7 and also contour direction is changed,  become in same direction with bass part. F and C camed together in anticlockwise direction in 5 th cycle. The new notes observed in weak time. At Mm 9 , Eb used  with Bb. The new notes shows in strong beat and anticlocwise of fifth circle. Melody starts and ends with A.
            Mm. 10-14 Second Idea. Melody and Bass contours directions are changed and opposite. F# the new note found in weak position and clockwise side of  D. Mm 11,12 and 13 in a affect of D ionian and Phrigian which depends on weak beats. At Mm. 13, Bass contour direction changed  and goes downside. Melody starts and ends with D.
            Mm. 15-18 Third idea in D Dorian mode. Melody starts in C in high. Bass accompaniment changed and It’s in lower with long standings. Melody has small differences before. 8th notes observed in second measure of idea with new contour line seen. At Mm. 18 Last note of chromatic scale and last member of circle of fifths Ab shown in weak beat. Thus all notes shown up by whole step down and when contour drawing down. Melody starts and ends with C. Weak beat of mm18 has an accent that ties itself to next idea.
            Mm. 19-23 Fourth idea in D Phrigian mode that starts like it is Locrian. Melody contour is changed to opposite with third idea. Mm. 19–18 variated. Bass part has longer standings than third idea and differance in last beat of  mm 23 is in opposite direction. Melody starts and ends with D.
            Mm. 24-27 Coda. D dorian again and ends with D.
            

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