Bartok
Mikrokosmos No. 65
Mm.
1-4 Introduction. Starts with D-A and E-B. Every 5th chord moving 2 Semitones
in a intention that wants to complete 5th cycles via starts from D and expand
to comprisingly whole the 5th cycle in clockwise. Contour is up and down.
Mm.
5-9 First Idea. Melody shows up against bass part at measure 5 and G occured in
anticlockwise side in weak time. D dorian agreed with the F in measure 7 and
also contour direction is changed,
become in same direction with bass part. F and C camed together in
anticlockwise direction in 5 th cycle. The new notes observed in weak time. At
Mm 9 , Eb used with Bb. The new notes
shows in strong beat and anticlocwise of fifth circle. Melody starts and ends
with A.
Mm.
10-14 Second Idea. Melody and Bass contours directions are changed and opposite.
F# the new note found in weak position and clockwise side of D. Mm 11,12 and 13 in a affect of D ionian
and Phrigian which depends on weak beats. At Mm. 13, Bass contour direction
changed and goes downside. Melody starts
and ends with D.
Mm.
15-18 Third idea in D Dorian mode. Melody starts in C in high. Bass
accompaniment changed and It’s in lower with long standings. Melody has small
differences before. 8th notes observed in second measure of idea with new
contour line seen. At Mm. 18 Last note of chromatic scale and last member of
circle of fifths Ab shown in weak beat. Thus all notes shown up by whole step
down and when contour drawing down. Melody starts and ends with C. Weak beat of
mm18 has an accent that ties itself to next idea.
Mm.
19-23 Fourth idea in D Phrigian mode that starts like it is Locrian. Melody
contour is changed to opposite with third idea. Mm. 19–18 variated. Bass part
has longer standings than third idea and differance in last beat of mm 23 is in opposite direction. Melody starts
and ends with D.
Mm.
24-27 Coda. D dorian again and ends with D.
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